Jackson EMC may also be known as or be related to JACKSON ELECTRIC MEMBERSHIP, Jackson EMC, Jackson Electric Membership, Jackson Electric Membership Corp. The data presented on this page does not represent the view of Jackson EMC and its employees or that of Zippia. None of the information on this page has been provided or approved by Jackson EMC. Box 166023 Altamonte Springs, FL 32716-6023 Visit a Local Office Representatives at local offices can help members with billing and payment questions, starting service, transferring service, ending service, and other concerns Jackson EMC members may have about their account. ness that preserves a historic structure. Jackson Electric Membership Corporation P.O. While we have made attempts to ensure that the information displayed are correct, Zippia is not responsible for any errors or omissions or for the results obtained from the use of this information. A unique partnership between the City of Jackson and Consumers Energy. Sources of data may include, but are not limited to, the BLS, company filings, estimates based on those filings, H1B filings, and other public and private datasets. The data on this page is also based on data sources collected from public and open data sources on the Internet and other locations, as well as proprietary data we licensed from other companies. The employee data is based on information from people who have self-reported their past or current employments at Jackson EMC. Pre-order here and visit Michael Gregory Jackson on Bandcamp.Zippia gives an in-depth look into the details of Jackson EMC, including salaries, political affiliations, employee data, and more, in order to inform job seekers about Jackson EMC. “Michael Gregory Jackson has always cut a singular musical path on his journey through many genres that have been his wheelhouse, through many schools of jazz, alternative rock and even Avant folk. This collection of solo electric guitar may be Michael’s most personal musical exploration yet.” “Michael’s powerful and melodic & rhythmic sensibilities imbues all these pieces with tactile energy,” says guitar great Vernon Reid. Ornette Coleman is the dedicatee on “JcakJcak (for Ornette)”, a rapid fire, sometimes dissonant rollercoaster of melody first heard on his “Spirit Single Strata” trio album with drummer Kenward Dennard and bassist Keith Witty, and his Clarity Quartet collection, “After Before.” The same two albums included “Meditation in E (For Karen),” another airy ballad that showcases Jackson’s unique harmonic sense and bluesy sheets of sound soloing. This version has a new depth, one that only time and his mastery of the tonality of the electric SG can add. Another reinvented classic, “Theme X (For Geri Allen),” is a tribute to the late composer and keyboard master, an associate from his early days in New Haven and New York in the 1970s, a composition first heard on Jackson’s 2019 disc, WHENUFINDITUWILLKNOW, with his Clarity Quartet. With “Preleuoionti,” Jackson reprises the acoustic guitar showpiece from his 1976 debut disc recorded as a 23-year-old, Clarity, Circle, Triangle, Square. Both, according to the artist “are inspired by the struggle and defiant spirit of my ancestors, and artistic predecessors in all idioms, and all freedom fighters in the fight for the liberation of all oppressed peoples.”

On another recent original, “Hymn for My People,” Jackson recites a funerial slow, ultra-mournful tone poem – largely in single note lines, while “Perseverance” is a driving anthem, as unrelenting as its title. On “Sweet Rain Blues,” Jackson revs up a gut bucket blues, one that Vernon Reed characterizes as “simultaneously rural, urban, then veers off into considerations of what’s really happening when the sun is shining although it’s raining in your heart”, while on “Wish” Jackson’s blues has a distinct sarod-like tonality. Through my guitars, I discovered discipline, self-awareness and inspiration, my git boxes opened a conduit, a dive in deep access and connection to the blues-ness in me.”Įlectric Git Box opens with a recent original, “Karen (Sweet Angel)”, an evocative ballad dedicated to his lady love, one which contrasts wide open chording and deep harmony with quicksilver melodies and fills. He goes on to explain, “My guitars, which I’ve called ‘git boxes’ since my teens, have always been my companions and a sanctuary to me, vehicles to help me through the angst of my younger life, and now. I was feeling angry, disconnected and erased thus, I recorded this music with some edges, some distortion, to communicate the multifaceted well of emotions that birthed this performance.” This project was borne of an angst-full period for me, I was feeling inundated with tragedies, the isolation of Covid lockdowns, re-occurring police and vigilante killings of Black people, and living with the omnipresent reality of systemic racism. Jackson says of Electric Git Box, “The nature of beauty is at the core of my being and my music, alongside aggression, passion, fire, and powerful feelings of personal independence and creative freedom.

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